Passage One
Computers should be in the schools. They have the potential to accomplish great things. With the right software, they could help make science tangible or teach neglected topics like art and music. They could help students form a concrete idea of society by displaying onscreen a version of the city in which they live—a picture that tracks real life moment by moment.
In practice，however, computers make our worst educational nightmares come true. While we bemoan the decline of literacy, computers discount words in favor of pictures and pictures in favor of video. While we fret about the decreasing cogency of public debate, computers dismiss linear argument and promote fast, shallow romps across the information landscape. While we worry about basic skills, we allow into the classroom software that will do a student’s arithmetic or correct his spelling.
Take multimedia. The idea of multimedia is to combine text, sound and pictures in a single package that you browse on screen. You don’t just read Shakespeare； you watch actors performing,listen to songs, view Elizabethan buildings. What’s wrong with that? By offering children candy-coated books, multimedia is guaranteed to sour them on unsweetened reading. It makes the printed page look even more boring than it used to look. Sure，books will be available in the classroom,too—but they’ll have all the appeal of a dusty piano to a teen who has a Walkman handy.
So what if the little nippers don’t read? If they’re watching Olivier instead，what do they lose? The text, the written word along with all of its attendant pleasures. Besides，a book is more portable than a computer, has a higher-resolution display, can be written on and dogeared and is comparatively dirt cheap.
Hypermedia，multimedia’s comrade in the struggle for a brave new classroom, is just as troubling. It’s a way of presenting documents on screen without imposing a linear start-to- finish order. Disembodied paragraphs are linked by theme； after reading one about the First World War, for example, you might be able to choose another about the technology of battleships, or the life of Woodrow Wilson, or hemlines in the 20s. This is another cute idea that is good in minor ways and terrible in major ones. Teaching children to understand the orderly unfolding of a plot or a logical argument is a crucial part of education. Authors don’t merely agglomerate paragraphs； they work hard to make the narrative read a certain way, prove a particular point. To turn a book or a document into hypertext is to invite readers to ignore exactly what counts—the story.
The author uses the comparison between a dusty piano and a Walkman as____.()
A、an analogy to show that teens will lose interest in reading once they are exposed to multimedia
B、an example to illustrate the rapid advance in technology and social studies
C、a reason to explain the cause of the conflict between traditional and modern way of teaching
D、an evidence to support his argument on multimedia learning for children
【正确答案】：A
【题目解析】：根据文章第三段和第四段第一句可知，你没有读莎士比亚的作品，但你可以观看演员表演，听歌曲，观看伊丽莎白式的建筑群。这有什么错吗？多媒体使书本变得引人注目， 激发孩子们对枯燥书本的阅读兴趣。它使得印刷成的书页看起来比过去更加乏味。课堂上 肯定要使用书籍--就像一架满是灰尘的钢琴对一个带有随身听的十几岁的孩子更有吸引力一样。如果这些孩子不愿读书，该怎么办？答案为A。